| MATTHEW LYNCH,
EXECUTIVE EDITOR |
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Like much of the media-consuming public, we’re still unpacking the Wedding of the Century that took place in Venice over the weekend. In this season of Emmy nominations, here’s a radical proposal: the Bezos-Sánchez nuptials for best limited series. For a mere $50 million we got (a) a parable on global wealth disparity circa 2025 (awards voters love this stuff); (b) some high comedy; and (c) a Leonardo DiCaprio guest spot in the finale. Also, it was mercifully brief and lends itself easily to second-screen viewing. Just think about it.
Elsewhere today, Rebecca Ford profiles Gen Z scream queen Chase Sui Wonders, Lisa Robinson interviews Boomer all-around queen Debbie Harry, and we check in on the fate of the Big Beautiful Bill. More tomorrow… |
Growing up, Chase Sui Wonders wouldn’t be caught dead at a slasher movie. “If I was watching that with my friends at a sleepover, I would have to go home, and it would be very embarrassing,” she says. Fast forward to 2022, she starred in the horror comedy Bodies Bodies Bodies—and something changed. “I saw how the sausage was made, and suddenly I was no longer afraid of horror movies.” Which is a good thing, because the actor is starring in the reboot of the ’90s classic I Know What You Did Last Summer. |
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For this month’s Vanities cover story, Rebecca Ford speaks to the rising star about her childhood, career ambitions, and working with Jennifer Love Hewitt, Freddie Prinze Jr., and Sarah Michelle Gellar. |
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There are two kinds of people in this world: Those who spent the weekend at a wedding in Venice and those who opted to attend Jonathan Anderson’s debut runway show in Paris. |
The Netflix docuseries about “spiraling disasters and epic fails” feels like a metaphor for, well, everything. |
ALL ROUTES LEAD TO VENICE |
Ten years later, the Clooney wedding is still the model to follow. |
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