table feature is the 90 foot (27 m)-tall pagoda centered in the middle of the forecourt. The pagoda's upright structure is supported by two prominent red pillars and its roof is plated in bronze. The design features numerous traditional Chinese ornamentations, including a 30 foot (9.1 m)-tall stone-carved mural of a dragon on the central wall between the columns. Two Ming dynasty-era guardian lion statues flank the venue's entrance. The U.S. government granted permission for the statues, as well as temple bells and other artifacts, to be imported from China. Moon Quon, a Chinese poet and filmmaker, traveled to the United States to oversee a team of Chinese artisans tasked with creating the theater's traditional decoration. Xavier Cugat painted the trees and foliage between the pillars on the side walls and Keye Luke painted the Chinese murals in the lobby. Interior The auditorium features a sixty-foot-wide ornate doily on its ceiling with various silver dragon emblems and gold medallions. A bronze chandelier fashioned to appear as a lantern hangs from the center of the doily. The theater's color scheme is primarily various shades of red – ruby, crimson, pale scarlet, and coral lacquer – with bronze, gold, stone, and silver providing accents. Author Charles Beardsley likened the auditorium to a "gigantic shrine at the time of the Five Emperors or the Dynasty of Hsia". In its original configuration, the auditorium includ