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In this week’s Hong Kong Edition, we look at how John Lee aims to achieve a leadership first, and we also meet a Disneyland dancer. For the Review, we check out Cristal Room to see if it can distinguish itself in a city with no shortage of upscale French restaurants.  

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Tenant Special

Tung Chee-hwa, Hong Kong’s first chief executive under Chinese rule, complained of what he believed was bad feng shui at Government House and refused to move in.

Subsequent inhabitants might have sensed something was off at the official residence too. Since the former British colony was handed back to China in 1997, none of its leaders have made it through two full five-year terms, the constitutional limit. Public discontent and official scandals led to some unceremonious departures from the art deco mansion in Central.

Can the current chief executive, John Lee, break that run? There were some clues in the penultimate policy address of his first term, as the 67-year-old former cop turned his political sights from national security to economic transformation. 

John Lee after delivering his policy address in Hong Kong on Sept. 17. Photographer: Lam Yik/Bloomberg

A centerpiece is the Northern Metropolis initiative, which will turn the city’s northern border into a tech and innovation center. Lee has tied his name to the project by making himself head of a committee to fast-track its development, promising to cut red tape and pass new laws to help pave the way.

With an area almost three times the size of Paris, the goal is to make this a key part of a Chinese project to create a Greater Bay Area that rivals the San Francisco Bay Area. In his speech, Lee expressed an eagerness for progress by using the Chinese expression that means one’s heart is burning with anxiety. First proposed in 2021, the area was still “a hodgepodge of sleepy hamlets, apartment blocks and stray dogs” when my colleague visited earlier this year. 

Gary Ng, a senior economist at Natixis, told me that advancing the Northern Metropolis project would be a potential “KPI,” or key performance indicator, from Beijing for Lee to get another five-year term.

Creating a true San Francisco competitor will take years, so Lee is also looking to beef up some of the city’s traditional strengths, such as being a haven for high-net-worth individuals. On that, he has relaxed the criteria for obtaining an investment visa and vowed more preferential tax treatments for families that want to set up offices.

Lee also had good news for the have-yachts — there’s a push to attract “premium visitors” and develop a “yacht economy,” with about 1,100 new berths planned, including space for vessels over 80 meters long.

Like all Hong Kong chief executives, Lee needs Beijing’s blessing to stay in power.

Some pretty clear KPIs were laid down by Xi Jinping when he visited in 2022 to mark the 25th anniversary of the city’s handover. The Chinese president put forward “four musts” and “four proposals” that were disseminated across the Hong Kong government in study sessions. They include preserving Hong Kong’s “distinctive status and advantages” and addressing people’s “concerns and difficulties in daily life.” To that end, Lee unveiled steps to increase housing supply and help people climb the ladder to home ownership.

When asked about any specific KPIs or whether Lee planned to seek a second term, a representative from the chief executive’s office said he is looking to implement his policy address and is focused on “boosting the economy and improving people’s livelihoods.”  

The livelihood question may explain why the government backed down from a plan to charge residents for disposing garbage. After shelving the proposal, Lee said on Tuesday the policy lacked social consensus

Still, true to his roots, Lee also signaled continued vigilance against suspected national security threats, repeating his vow to pursue “for life” fugitives like exiled pro-democracy activist Nathan Law, who was denied entry to Singapore last weekend. —Alan Wong

Five Minutes With: The Disney Dancer

Hong Kong Disneyland celebrated its 20th birthday in September. Aries Manlapaz has been there for about half of that time.

The 32-year-old ballerina from Gapan City in the Philippines first experienced the magic of Disneyland when she was 7 and visited the Tokyo theme park. “I was able to take some autographs of my favorite characters and watch the parade as well,” she said. “It made me think that I want to be like that when I grow up.” Today, she’s a dancer in the parade and various stage shows at Hong Kong Disneyland. The park debuted a new parade called Friendtastic, featuring more than 100 dancers and musicians, over the summer to mark its two decades.

We caught up with Manlapaz to learn how she landed her dream job, what a day for her looks like and how she found love in the magical kingdom. —Adrian Wong

Aries Manlapaz Source: Hong Kong Disneyland

What was your journey to Hong Kong Disneyland?

After I graduated from college, my job was a freelance ballet teacher in the Philippines. I was a single mom at that time, so I was not earning enough for the both of us. I wanted to give my son a good future, so I was hoping to find a better job. After a year of being a freelance ballet teacher, I saw an audition for Disneyland online. The audition was held in Manila near where I worked, so I auditioned and then luckily Disneyland called me.

What does a typical work day look like for you?

When we go to work, we do warm ups and then we have a briefing. And after that, we do our makeup, put on our costumes and then do the show. But sometimes within that schedule, we have rehearsals in between. Sometimes they put the training there if we have a new show, so we need to learn the new routine. And then sometimes they schedule in costume fittings as well. And then that’s it. That’s our typical day.

Do you have a favorite float or dance number?

I gravitate more to the Encanto float because my background is ballet, more classical dance, contemporary. And with the choreography, Encanto makes me fulfilled as a dancer, and it makes me just want to dance every time I hear the music. Our costumes are so nice, as well as our hair and our makeup. And the float behind us is really colorful and vibrant. I really love Encanto. Everything is just so magical when you look at it.

And Zootopia, actually. I can tell you as well that I love it too because I’m a cheetah. In Zootopia, there is a quote that “anyone can be anything.” So being a cheetah, I can be an animal for a parade for a certain period of time. I enjoy playing as an animal with the kids when I see them.

What does the parade mean to you?

I really love the parade. That’s why when I got this job I didn’t try to go to other fields here in Disney, like the theater show. As a dancer, I wanted to stay in the parade because we are live in action and our interactions with the guests make it magical. As a dancer, interacting with them gives me fuel. It’s like they're giving me fuel to accomplish my everyday job.

I just got married two years ago. He’s also a parade dancer here at Hong Kong Disneyland, so this is really the happiest place for me because I met my husband here. For the parade, he’s part of the opening dance. It’s with the first float with Mickey Mouse, and he’s also part of the Zootopia unit where he’s performing as a zebra.

Have you ever danced together? While you're both doing the Zootopia unit?

We’ve not had the chance to dance together at the parade yet, because our schedules are different. I hope maybe later we can dance together. I can’t wait for it to happen.

What do you like most about working Disneyland?

It’s like being a kid again when you’re here. It’s really a magical time, especially when you finish the whole day and you end with fireworks.

The Review: Crystal and Caviar

Anne-Sophie Pic, who holds the distinction as the female chef with the most Michelin stars in the world, opened her Hong Kong restaurant in late 2023, just when hopes for a post-pandemic boon were turning into blues. The notion of another French fine dining establishment felt risky when rivals like Louise leaned into the bistro vibe to entice more value-conscious eaters, and with powerhouses like Caprice and Amber having dominated the scene for two decades.

Yet Cristal Room, perched on the 45th floor of Gloucester Tower (home to the Merchants and Cardinal Point), delivers food and services that match its pedigree. It also brings a touch of fun that its name, location and lineage don’t immediately communicate, perhaps to its detriment.

Source: Cristal Room by Anne-Sophie Pic

Part of the strategy involves offering a three-course lunch menu with a reasonable headline price of HK$680 ($87). But costs escalate quickly when you add the dishes that make the restaurant special: the vegetal chawanmushi and caviar with teardrop peas and ebi shrimp (HK$288), Pic’s signature pasta parcels filled with goat cheese in green tomato consomme (HK$388), and the millefeuille dessert with coffee chantilly and sobacha caramel (HK$188).

These three items more than easily double the cost of lunch, but without them the meal would miss some sparkles. When I went on a recent Saturday, the base offering, which changes frequently, began with delightful flower crab seasoned with sobacha (a tea made from roasted buckwheat) and tarragon ice cream, followed by either skate wing or pork loin confit as the main course, and a dessert. Those were well executed but surely outshone by the extras.

Our bill for two totaled HK$3,798 for a pair of lunch sets, aforementioned add-ons, a glass of wine each and the service charge. That put us well into Caprice or Amber territory, where four-course lunch sets start at HK$1,288 and HK$1,168, respectively. Still, it’s a joy — if you can stomach the price tag.

The food showcases Pic’s clever integration of Japanese influences without falling into cliche. The steam egg was a good example, with the caviar giving the dish a needed savoriness and touch of luxury without being gratuitous. The pasta parcels, called Berlingots, burst with creamy and slightly tangy goat cheese, perfectly balanced by the acidity of the tomato consomme. The open kitchen was a sight nearly as impressive as the view of Victoria Harbour, seemingly smokeless with cookware that somehow doesn’t clatter.

Vegetal chawanmushi and caviar with teardrop peas and ebi shrimp. Photographer: Alan Wong/Bloomberg

The vibe: The restaurant is a collaboration with French crystal maker Baccarat, but it’s not a tacky chandelier-and-fresh-flowers affair. The refined yet relaxed environment signals this isn’t a place where you’ll sit ramrod-straight for three hours awaiting petit fours. Think kidney bean-shaped tables. No tablecloths.

Can you conduct a meeting here? Absolutely. The spacious layout and attentive — but not overbearing — service make it suitable for business dining. Ask for the corner room for more privacy. Or request the table near the kitchen to see the impeccable cooking action.

Who’s next to you: A mix of diners with expense accounts and serious food enthusiasts who’ve made the pilgrimage for Pic’s name. It’s also the kind of place where people celebrate special occasions.

What we’d order again: Get the pasta parcels. They’re worth it if your expense (or bank) account allows it. The wine pairing at HK$488 seems to be solid value, although my guest and I went just for a glass each. 

Pasta parcels filled with goat cheese, green tomato consomme, chrysanthemum and marigold. Source: Cristal Room by Anne-Sophie Pic

Need to know: Cristal Room is located on the 45th floor of Gloucester Tower (reception is on the 43rd) in the Landmark in Central. Lunch is available Tuesday to Saturday from noon to 2:30 p.m. and dinner runs Monday to Saturday from 6:30 p.m. to midnight. Reservations can be made online. —Alan Wong

Read more reviews of French restaurants: Belon, a bistro newly reinvented with Turkish flair; Babette, which aims to fill the void between casual and fine dining; and Roucou, which created the concept of the “cheese omakase.”

Are there any restaurants you’d like us to review? Drop us a line at hkedition@bloomberg.net.

Here’s What Else Is In the News

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The previous edition of this newsletter was corrected to fix a misspelling of the name of former Hong Kong Observatory Director Chi-ming Shun. 

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