Movies Update: Remembering Diane Keaton
Plus, Guillermo del Toro’s “Frankenstein”
Movies Update
October 17, 2025

Hi, movie fans!

The news of Diane Keaton’s passing caught us by surprise here on the film desk. But what didn’t surprise our critics was how well her films held up more than 20, 40 or even 50 years later.

Manohla Dargis remembered disliking the Nancy Meyers rom-com “Something’s Gotta Give” (2003) when she first watched it but was won over later by Keaton’s performance. The actress had “become a female filmmaker’s avatar: a beautiful, funny, soulful, successful and blissfully independent woman,” Dargis wrote.

Alissa Wilkinson took a deep dive into “Reds” (1981), the historical epic in which Warren Beatty (who also directed) and Keaton play the early-20th-century writers John Reed and Louise Bryant amid a circle of revolutionaries. “Of all the characters, her evolution is the most striking, and Keaton’s performance has to tiptoe along a thin edge,” Wilkinson wrote.

And Esther Zuckerman examined how Keaton’s unique sense of style informed her performances, most notably as the title character in Woody Allen’s “Annie Hall” (1977): “It’s there in the way her hat increases her bashfulness,” Zuckerman wrote, and in how “she turns the pockets of her pants into props, putting an errant hand in when she’s trying to appear nonchalant.”

In other movie news, the top Cannes prizewinner, “It Was Just an Accident,” from the Iranian filmmaker Jafar Panahi, is finally reaching American theaters this week. The director told my colleague Nicole Sperling that the drama was inspired by his time in prison, convicted of essentially running afoul of his country’s regime. “When I got out of jail, I turned around and looked at the gate, and I remembered all those faces,” he said, referring to his fellow prisoners. He continued, “These faces started becoming more real and marched in my head. I felt that I owed them something.”

Panahi’s film is a critic’s pick (Manohla Dargis calls it “a cry from the heart”), as are the much-anticipated “Frankenstein” (Alissa Wilkinson says it’s the film Guillermo del Toro “was born to make”), “Blue Moon” (starring Ethan Hawke as the Broadway lyricist Lorenz Hart) and the docuseries about Martin Scorsese.

What a wealth of choices this week. Whatever you decide to watch, enjoy the movies!

CRITICS’ PICKS

A man in a white shirt and blue vest holds up a glass tube in a scientific lab.

Ken Woroner/Netflix

Critic’s Pick

‘Frankenstein’ Review: Guillermo del Toro’s Creature Rises

The director’s interpretation of Mary Shelley’s classic novel is the movie he was born to make.

By Alissa Wilkinson

A man sits at the bar at Sardi's with a cigar in one hand and the other hand holding up a finger and pointing.

Sabrina Lantos/Sony Pictures Classics

Critic’s Pick

‘Blue Moon’ Review: Without a Love of My Own

Ethan Hawke plays the legendary lyricist Lorenz Hart on a wistful one-night quest to save his soul.

By Alissa Wilkinson

In a dark film scene, a man with a beard leans over to peer around a wall in a staircase.

Neon

Critic’s pick

‘It Was Just an Accident’ Review: A Liberation Story Straight From Iran

In his latest movie, the formerly banned filmmaker Jafar Panahi tells a circuitous, moving and unexpectedly funny story of resistance.

By Manohla Dargis

A black-and-white photo of Leonardo DiCaprio in a tuxedo standing next to Martin Scorsese.

Apple TV

Critic’s Pick

‘Mr. Scorsese’ Review: A Captivating and Charismatic Profile

Rebecca Miller’s five-part documentary series balances her esteem for the director with a clear eye toward his struggles.

By Natalia Winkelman

ANATOMY OF A SCENE

A lively ballroom scene with elegantly dressed couples dancing. A man in a tuxedo and a woman in a black dress are in the foreground, smiling as they perform a dramatic dance move.

Roadside Attractions

Anatomy of a Scene

Watch Jennifer Lopez Dance in ‘Kiss of the Spider Woman’

The director Bill Condon narrates a sequence involving some complicated choreography.

By Mekado Murphy

MOVIE REVIEWS

A bloody girl grabs the collar of a man wearing a mask.

Robin Cymbaly/Universal Pictures and Blumhouse

‘Black Phone 2’ Review: Killer ID

This horror sequel starring Ethan Hawke creates a more cohesive picture than the original, while deploying a new bag of scary tricks.

By Brandon Yu

Two boys, in suits and ties, stand on a stone path.

Angel Studios

‘Truth & Treason’ Review: The Price of Courage

Standing up to fascism was deadly in Nazi Germany; this film tells the story of Christian teenagers who defied a poisonous ideology.

By Glenn Kenny

A young woman runs through the streets of Cologne in a brown suede coat and green miniskirt.

Zeitgeist Films/Kino Lorber

‘Köln 75’ Review: The Key to a Famed Piano Concert

Mala Emde plays a teenage promoter who pushed for what became a landmark performance by the pianist Keith Jarrett.

By Ben Kenigsberg

A film scene shows young people in matching T-shirts with "Owens" on the bottom holding up a large photo of a smiling woman.

Netflix

Documentary Lens

In ‘The Perfect Neighbor,’ a Terrible Crime Collides With Ethical Concerns

Geeta Gandbhir’s film examines the killing of a Florida woman and “stand your ground” laws, but the issues it raises are bigger than those statutes.

By Alissa Wilkinson

A man in a red plaid shirt faces a man with a trench coat and angel wings in the parking lot of a Denny's.

Eddy Chen/Lionsgate

‘Good Fortune’ Review: Life Swap

Keanu Reeves plays an inexperienced angel who acts above his pay grade in Aziz Ansari’s socially conscious comedy.

By Jeannette Catsoulis

DIANE KEATON TRIBUTES

In a scene dominated by images of beige, a woman in a darkened interior looks warily off in the distance.

Paramount Pictures

Critic’s Notebook

The Surprising Power of Diane Keaton’s Emotional Transparency

Earlier roles in “The Godfather” and later roles in “Something’s Gotta Give” showed the depth and nuance of the actress whom we met in “Annie Hall.”

By Manohla Dargis

A smallish man in a rumpled green jacket, messy hair and black glasses stands next to a woman with long hair and a tie over a floral print. Next to them is a poster for the film “Face to Face.”

Everett Collection

Critic’s Notebook

Diane Keaton’s Unmistakable Look Also Was Key to Her Art

Though she downplayed it, her role in creating the outfits of “Annie Hall” made her the author of a fascinating career.

By Esther Zuckerman

Article Image

Paramount Pictures

Diane Keaton in ‘Reds’: A Remarkable Performance but Also a Returning Point

Her character, an early-20th-century journalist, undergoes the most dramatic transformation of the film in ways that the actress was especially suited for.

By Alissa Wilkinson