| March 25, 2026 
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Dear Theater Fans, This morning, Michael Paulson broke the news that following a heated argument with Broadway producers on Friday, the Pulitzer-winner Stephen Adly Guirgis, who has written a stage adaptation of “Dog Day Afternoon,” was temporarily prohibited from entering the August Wilson Theater, where the play is now in previews. In a statement, the producers and Guirgis chalked it up to the “passionate” process of producing a new play and said they were “committed to maintaining a respectful environment for everyone involved and remain very proud of what’s onstage.” Also on Broadway, at the Music Box Theater, another heated debate is taking place — on the stage. This one has a towering figure: John Lithgow as the children’s book author Roald Dahl in a “psychologically deft, if dramatically blunt, play” that imagines “the moment of discovery” of Dahl’s antisemitism, Helen Shaw wrote in her smart review. As Dahl, Lithgow is excellent: cantankerous but lovable one moment and, then by the end, a “fascinating study in monstrosity.” Talking about towering figures: Sophocles’ Antigone is the 2,500-year-old ancient Greek heroine whose story never gets old. “She might be our most adapted mythic figure,” Helen argues, pointing to at least four different stage adaptations in New York this spring. It’s a gem of a piece, exploring why “we return obsessively to ‘Antigone’” and offering some of the clues that Helen and others “have used to try to unravel her.” (The reader comments offer even more insights.) Bonus: Take a tour with Helen by watching this video in which she seeks out Antigone across Manhattan. Please reach out to me at theaterfeedback@nytimes.com with suggestions for articles or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter. Have a wonderful week, Nicole Herrington Theater Editor Like this email?Forward it to your friends, and let them know they can sign up here. |