Race/Related: What happens when public art depicts a disgraced figure?
Artists rethink works depicting Cesar Chavez after sexual abuse claims involving girls emerge.
Race/Related
April 24, 2026

Los Angeles is a city of public art, and perhaps no work is more far-reaching and ambitious than the artist Judith F. Baca’s “Great Wall of Los Angeles,” a half-mile-long mural that portrays California and American history from prehistoric times to the 1950s. An expansion that is underway will add another half mile and complete the story, bringing it up to modern times. That means Cesar Chavez is about to enter the picture.

An investigation by The New York Times found extensive evidence that the United Farm Workers co-founder groomed and sexually abused girls who worked in the Latino civil rights movement. Baca and her team of artists agonized over how to respond to the revelations about Chavez in their works.

A section of a mural that depicts Cesar Chavez and farmworker activists.

Ariana Drehsler for The New York Times

Read more on the reckoning with art and public images of Chavez here.

EDITORS’ PICKS

Todd Blanche and Kash Patel, in suits, standing in front of flags behind a lectern.

For much of the 21st century, the Southern Poverty Law Center has been at the center of a bitter partisan war in America over what constitutes hate.

For a decade and a half, these two brothers led the U.S. market for South Asian art. Now they rarely speak to each other, except through lawyers.

George R. Ariyoshi, who became Hawaii’s — and America’s — first governor of Asian descent, died on Sunday at his home in Honolulu. He was 100.

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