His new album trilogy is at once some of his most exciting and most perfunctory music of the decade, Craig Jenkins writes.
 

MAY 21, 2026

 
 

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ALBUM REVIEW

Drake Can Still Be Interesting His new album trilogy is at once some of his most exciting and most perfunctory music of the decade. 

By Craig Jenkins

Photo: Drake/Youtube

Two years ago, Drake instigated one of the most embarrassing defeats in rap-beef history by going up against Kendrick Lamar and half a Rolodex of old friends. He then tried to make his label pay for the dent in his good image, moving with all the grace of a cartoon character tumbling down a rocky cliffside. Drake’s lawsuit against UMG famously claimed he was a victim of a bot-farming scheme that gave Lamar’s “Not Like Us” unfair traction in their feud. It also framed page after page of social-media reactions as proof that real fans believed every word of the song, which he says contains libelous rumors such as his being a pedophile. The suit failed spectacularly and continues to flail in appeals. Drake now understands that any consensus around him is irreparably broken. Some see a king; others, a fraud. Last week he returned with his long-awaited and highly publicized ninth album, Iceman, plus two more full-lengths no one saw coming, Maid of Honour and Habibti. It is at once some of his most exciting and most perfunctory music of the decade.

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