Movies Update: The acclaimed Oscar nominee without a distributor
Plus, yes, that creepy toy monkey is looking at you.
Movies Update

February 21, 2025

Hey, movie fans!

The Oscars are coming up March 2, so you still have a little time to get caught up with the nominees before the big night.

One in particular that our awards season columnist, Kyle Buchanan, has had his eye on is also one that no U.S. studio has been willing to distribute: the documentary “No Other Land,” about the destruction of Masafer Yatta in the occupied West Bank.

In lieu of a distributor, the film’s directors have executed a self-distribution plan, getting the film in at least 23 U.S. theaters with the hope of a larger rollout.

Buchanan wrote, “The filmmakers hope that if anything can come of this awards campaign, it’s an increased global awareness of the fraught situation in Masafer Yatta.”

On the non-Oscars side of the movie world, “Captain America: Brave New World” had a strong opening weekend at the U.S. box office, while weathering some backlash and mixed reviews. In a notebook offering suggestions to Disney about how to approach the future of Marvel, the critic Maya Phillips wrote, “The best way for Disney to successfully usher fans through this next iteration is not by trying to predict which way the political winds will blow, but by providing well-written, fully developed characters of all backgrounds.”

Out this week is the horror-comedy “The Monkey,” which, the critic Alissa Wilkinson wrote, is stuffed with “giddily ludicrous demises, doled out at random.” The writer Erik Piepenburg spoke to the film’s star, Theo James, who is just as creeped out by musical monkey toys as we are.

Also this week, if you’d like to save a penny or two, we kicked off a new column on great films that you can watch for absolutely free at home.

Enjoy the movies.

CRITICS’ PICKS

In a black and white image, two people stand on a city street with brick buildings in the background. Both look upward with pensive expressions. The person on the left wears a patterned shirt, and the person on the right wears a patterned dress. A parked car is visible nearby.

Janus Films

Critic’s Pick

‘Compensation’ Review: Still Rebellious

Finally getting a theatrical run, Zeinabu irene Davis’s 1999 film about two Black couples in Chicago in two different eras earns its landmark status.

By Lisa Kennedy

A heavyset man with glasses in a dark coat walks in a street at night, with lights twinkling in the background.

Kino Lorber

Critic’s pick

‘The Annihilation of Fish’ Review: A Gem That’s Worth the Wait

The director Charles Burnett’s deeply humane, singular film from 1999, starring James Earl Jones, is finally receiving a theatrical release.

By Manohla Dargis

MOVIE REVIEWS

Illustration of seven men in matching blue tank tops, standing in staggered rows. The men have varying hairstyles, mostly short styles. They appear serious, with strong postures. The background is a soft gradient.

HBO

Documentary Lens

‘We Beat the Dream Team’ Puts a Twist on the Sports Movie Formula

This film tells the story of the college players who defeated the 1992 U.S. men’s basketball team, filled with N.B.A. All-Stars, during a scrimmage before the Olympics.

By Alissa Wilkinson

Two smiling boys in a blue restaurant booth with snacks and a tall pink milkshake before them. The younger one, left, in an orange tee, smiles shyly as he watches the older, who wears a huge grin, colorful eyeglasses and an equally bright sweater.

Alan Markfield/Lionsgate

‘The Unbreakable Boy’ Review: Surmounting Hardships With Joy

This family drama by Jon Gunn, based on a true story, is told from the perspective of a young boy with autism.

By Sheri Linden

A man in a tight black T-shirt counts stacks of bills against the backdrop of torn green curtains and a cloudy window.

Henrik Ohsten/Magnet Releasing

‘The Quiet Ones’ Review: Getting Swindled in Copenhagen

Inspired by a real heist, this Danish thriller has more moving parts than it can keep track of.

By Ben Kenigsberg

Cooper Hoffman, in a pink jacket, stands next to Christoph Waltz, in a brown leather jacket. Waltz is leaning against the hood of a car.

Peter Marley/The Avenue

‘Old Guy’ Review: The Veteran and the Rookie

Christoph Waltz plays an aging hit man begrudgingly training his replacement in Simon West’s stale action movie.

By Natalia Winkelman

A smiling man and woman sit together in a cozy room. The woman, with long dark hair, leans comfortably against the man. He has grayish brown hair and a gray beard, wearing a light blue shirt. A bicycle and decorative plants are in the background.

Myles Aronowitz/Republic Pictures

‘Millers in Marriage’ Review: Squall in the Family

Three siblings navigate midlife crises in Edward Burns’s glossy look at marriages in transition.

By Jeannette Catsoulis

Three men in dark suits, white shirts and dark ties sit in the back of a car. The father, in the middle, has both hands folded on a brown box.

Wyatt Angelo/Greenwich Entertainment

‘Ex-Husbands’ Review: Three Unweddings and a Funeral

In this Griffin Dunne dramedy, a father and his sons face different kinds of relationship troubles at the same time.

By Nicolas Rapold

ANATOMY OF A SCENE

A bald man with a serious expression stands against a dark background. The man wears a dark, textured outfit, and is dramatically lit, emphasizing his features.

Niko Tavernise/Warner Bros. Pictures

Anatomy of a Scene

Watch Austin Butler in Battle in ‘Dune: Part Two’

The director Denis Villeneuve narrates a sequence from his film, which is nominated for five Academy Awards, including best picture.

By Mekado Murphy

NEWS & FEATURES

Black and white portrait of a smiling man with curly hair, wearing a thick turtleneck sweater.

Hannah Edelman for The New York Times

The Invincible Jack Quaid

With his movies “Companion” and “Novocaine,” the young actor is showing he can do comedy, pain and a mix of the two.

By Alexis Soloski

Article Image

Chantal Anderson for The New York Times

Q&A

Like Us, Theo James Is Freaked Out by the Toy in ‘The Monkey’

The actor discusses playing twins in Osgood Perkins’s horror film, finding humor in dark situations and why that monkey is so, so creepy.

By Erik Piepenburg

Article Image

Thea Traff for The New York Times

Spring Preview

Being George Clooney Is Harder Than It Looks

He is making his Broadway debut with a stage version of his 2005 movie “Good Night, and Good Luck.” He’s ready, but also terrified.

By Maureen Dowd and Thea Traff

Article Image

From left: Sara Krulwich/The New York Times; Martha Swope; via Wendy Kimball