The video game Blue Prince takes you into a mysterious mansion that you have to explore room by room — by creating it room by room. It's a little like building a maze as you try to make your way through it without trapping yourself in any dead ends. And perhaps the game's most devilish quality is that when you get stuck, you can't go back a couple of steps and try something else; you have to start over again, even if you almost made it. I can already tell it's going to require a lot of patience, and since I can always use opportunities to develop patience, I'm excited to keep playing.
If, like me, you were a big fan of the short-lived ballet show Bunheads, from creators Amy Sherman-Palladino and Daniel Palladino, you will perhaps want to check out the Prime series Étoile, in which they continue their exploration of ballet with a new story about a New York company and a Paris company that trade personnel as part of a PR push. It has the trademark Sherman-Palladino dialogue you may also know from The Marvelous Mrs. Maisel and Gilmore Girls, and stories about the arts are uncommon enough that it's worth your attention.
One of my best recent watches — or, I should say, rewatches — was the original 1974 crime thriller The Taking of Pelham One Two Three, in which a band of baddies led by a terrifyingly calm Robert Shaw takes a New York subway car hostage. Walter Matthau plays the transit police lieutenant who gets on the radio with them and becomes the negotiator. (Do not watch the 2009 remake with Denzel Washington and John Travolta. It is ... misbegotten.) The whole thing is terrifically tense and confined, and if you like Bruce Willis in Die Hard talking to Alan Rickman on the radio, perhaps I can interest you in Walter Matthau being wonderfully irritated -- as well as horrified -- by Robert Shaw. (I also watched Chinatown this week, and I'm here to tell you: 1974 was a good year for villains.)
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