Welcome to Issue #43

Women in India don’t want ‘safe zones’ – they want to enjoy public spaces as equals | The Guardian
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A woman walks past three rickshaws, with a blurred outline of a man getting into one behind her

Women in India don’t want ‘safe zones’ – they want to enjoy public spaces as equals

In her words

A couple of weeks ago, I was in an upmarket neighbourhood in Delhi for a photoshoot. Only a handful of walkers and joggers had dared to step out in the unforgiving heat. Women walking by offered quick looks, but the men stared – every single one who passed us.

Then one went a step further. Mid-shoot, he walked up and interrupted us. At first, we smiled – out of habit, out of conditioning – thinking that he would leave. But he didn’t. Instead, his questions grew increasingly intrusive. From “What are you doing?” to “Do you have an Insta page?” and “Where do you stay?”

By then, we were irritated but when we told him firmly that he was interrupting our work, we still said it with a smile, albeit a strained one.

Did he get the message? No! He hung around before finally, reluctantly, shuffling off. This incident got me thinking.

First, the photographer, a Belgian woman, and I, an Indian woman, remained unfailingly polite the whole time. But we should not have had to do so. What we really needed to do was hold our boundaries – clearly, calmly, without guilt. Not rude, just firm. But we have been taught that even basic assertiveness in women can be too much.

Furthermore, the institutional response to gender-based violence in India has mostly been to confine women to “safe” zones – pink carriages in the metro, pink autos, pink bus tickets, pink parks, pink toilets, separate queues. It is an approach that only reinforces the idea that the public sphere belongs to men.

In the process, women are not just isolated – they are exoticised; their presence is made exceptional, even unnatural, to the point of near erasure.

What is needed is to socialise boys and men to be more comfortable around women – as equals, not anomalies. Studies have shown that a majority of Indian boys grow up without meaningful interactions with girls or any kind of education that teaches respect, equality or consent. The idea that women belong at home, in the private sphere, is still deeply rooted.

More than 50% of women in Indian towns and cities do not leave home even once a day – and only 48% of women in urban India are even allowed to leave home alone. With so few women occupying public spaces, our presence continues to feel unfamiliar – something to be stared at, questioned or interrupted.

Every time I am in a public space in India, I find myself unconsciously calculating – my safety, risk, attention, tone – even when I don’t need to. And that man’s behaviour? Just another periodic reminder of why we move through public spaces with caution, not comfort.

Nilanjana Bhowmick is a writer based in Delhi, India. She is the founder of Wednesdayonline.in, a platform dedicated to empowering women through honest, informed storytelling. Photograph: Kalpak Pathak/Hindustan Times/Getty. Read the full article here

Women behind the lens: bending over backwards for luck

A girl in her bedroom bending over backwards on her bed. She is wearing shorts, socks and a sleeveless top. Her face is obscured. The walls are covered in mostly postcard-sized images she’s printed out from the internet.

Growing up in Colombia – and online – has defined the way I create art: my identity has been formed by a country riddled with superficial and conservative values; a happy country but also one of the most violent; a country where men pray to virgins and kill the ones who are not.

The internet felt like a safe space where I could be anyone – as a vulnerable young girl who felt out of place where I lived. But it also alienated me from the real world and made me hyper aware of the way I looked and existed.

After leaving home in 2023, I developed an obsession with online self-help culture, particularly pseudo-spiritual content under the hashtag Lucky Girl Syndrome: TikToks about getting your dream life if you listen to specific audio tracks that featured elements such as “layered frequencies”, soft synths, reversed whispers and spoken affirmations.

I wanted to be this lucky girl who gets everything she wishes for if only she follows these rituals properly. A part of me did it ironically, but a part of me truly felt it.

This image is part of my project, Lucky Girl Syndrome, which grew out of this deep dive into self-help online: I wanted to play with this obsession in order to detach myself from it. I created a mood board in my bedroom, covering the walls in printouts of affirmations I found online. Some of them were heartfelt, some of them came from meme pages that satirised the culture: “I am in my safe zone”; “I am not clenching my jaw right now”; “Angels are watching 333”; “I am light”; “CLICK to be saved”. This is the yogi lucky girl who bends over backwards for luck.

The Lucky Girl Syndrome project is an interrogation of the economy of hope where girls like me find solace in using our devices and bedrooms as portals to wellness and self improvement. Growing up in a culture where our beauty is our worth but Catholic morality still dictates ideas of gender roles, family and sexuality, I became attuned to how online self-help culture repackages control as empowerment, especially for women.

Isabella Madrid is a Colombian artist and photographer. Read the full article here

Things to look out for

Kenya’s women-owned and run bookstore, Soma Nami, is hosting its third African book fair in Nairobi, exploring the themes of “African stories in a connected world” and “celebrating the diversity of African literature”. 7-10 August; somanami.co.ke.

The Chila Welcomes You exhibition, by acclaimed artist Chila Kumari Singh Burman, draws on her Punjabi heritage and upbringing in Liverpool to explore stories from the Indian independence movement and of Indian migration to Britain after the second world war through photography, tapestries and sculptures. Imperial War Museum North, until 31 August.

Edinburgh international book festival will welcome writers, creatives and thinkers, including the bestselling Japanese author Asako Yuzuki, on her hit novel Butter, and Turkish political commentator and journalist Ece Temelkuran giving a talk on “Coming together to fight dictatorship”. From 9-24 August.

Stop Strip Searching at London’s Tate Modern will present two 1980s feminist films about women’s bodies and domestic policies: Lai Ngan Walsh’s Who Takes the Rap, which explores how lawmakers kept working class and black and Irish immigrants in poverty; and Anne Crilly’s Stop Strip Searching, which documents the forced strip-searches of women in Irish prisons in the early 1980s. Both film-makers will discuss their films and their impact. On 30 July 2025.

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