That's what my mother said when I was telling her about the miracles that I was hearing about everyday thanks to CBD.
There was a woman in Indiana who literally could not walk before she tried CBD. Now she plays golf every week, and doesn't use a cart.
Another man in Nebraska couldn't use his hands thanks to crippling pain, and is now back in his
shop doing woodworking 6 hours a day.
The list goes on and on.
So why was my own mother so negative about it?
Turns out she tried it, and it did nothing for her. She said she might as well have been taking sugar pills.
So I dug in and did some extensive research, and was stunned at what I found.
It turns out CBD really doesn’t work for some people, but it’s almost always because those people don’t do this one simple little thing...
ws any hint of pop music", also adding that "the sound intertwines with Mamiya's vocals for a truly exquisite performance". Yile Lin of Mezamashi Media said of the album: "Even if she could only make one album in her lifetime, if she could create such a perfect album, I think that would be fine". Rediscovery by the city pop scene At the time of its initial release, Love Trip did not reach mainstream popularity or gain widespread attention, nor did it accumulate a high position on the Oricon Charts. Mamiya never released another album or single, and she retired from music after her marriage. Little information is known about Mamiya, with Filleul calling her "something of a mystery in city pop lore" and reporting that fans are still looking. Decades after its initial release, Love Trip came in high demand due to the rise of the city pop trend, with "Mayonaka no Joke" becoming popular among DJs interested in Japanese music." The album is considered a cult classic, with Kayo Pops Channel noting that it "has become widely known as a symbolic rediscovery of the re-evaluation of city pop", citing the "urbanist-infused music and Mamiya's ennui-filled personality". Sawai called "Mayonaka no Joke" worthy of being called the "model of city pop". Kayo Pops Channel ranked the title track #49 on the 1980s ranking of the Top 100 City Pop Hits of the 70s an
