Theater Update: Prince’s ‘Purple Rain’ musical debuts in Minneapolis
‘Paranormal Activity’ in Chicago, ‘Bull Durham’ in New Jersey
Theater Update
October 22, 2025

Dear Theater Fans,

Michael Paulson has been keeping tabs on Broadway’s labor relations as both Actors’ Equity and Local 802 (the musicians’ union) threatened to strike. Here’s the latest:

  • Musicians’ union: Local 802’s negotiating team is meeting with the League and a mediator today, and are threatening to strike if there is no agreement by tomorrow morning.
  • Next steps: If there is a strike, it would shut down all Broadway musicals other than “Ragtime.” Plays would continue to run. Stay tuned.

The French writer and director Caroline Guiela Nguyen’s “Lacrima,” which runs tonight through Sunday at the Brooklyn Academy of Music, follows the real and imagined garment workers making a fictional royal wedding dress for a British princess. Laura Cappelle talked to Nguyen about why at one point she “fell out of love with theater” and how challenging it has been to ensure diverse voices have a place on French stages. (For further reading, here’s Laura’s excellent critical take on the play, which ran at the Avignon Festival last year.)

Here’s a quick look at some of the other notable international productions in town this week:

  • “Cadela Força Trilogy, Chapter I”: Powerhouse: International festival is presenting the Brazilian writer-director-performer Carolina Bianchi’s play (whose subtitle is “The Bride and the Goodnight Cinderella”), starting tomorrow (and running through Saturday). Laura Cappelle also reviewed this work, which was at the Avignon Festival in 2023. The piece, about sexual violence against women, was an “all-too-real performance” that “single-handedly jolted Avignon alive” — and made her feel ill.
  • “Le Tambour de Soie (The Silk Drum)”: This dance-theater piece, inspired by a modern adaptation of a Noh play, explores what happens when an old man becomes besotted with a young woman who does not reciprocate his feelings. There are just two performances, on Friday and Saturday at Japan Society.

And out of town, there was a flourish of purple at the State Theater in Minneapolis for the first performance of the new musical “Purple Rain,” a stage adaptation of Prince’s 1984 film. Jeff Ernst talked to fans as they filed into the theater to celebrate one of Minnesota’s beloved sons. In Chicago, Elisabeth Vincentelli fell for all the jump scares while watching the first performance of “Paranormal Activity” at Chicago Shakespeare Theater. Evan Jenkins’s photos and videos set the mood.

Please reach out to me at theaterfeedback@nytimes.com with suggestions for stories or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter.

Have a wonderful week,
Nicole Herrington
Theater Editor

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NEWS AND FEATURES

A crowd stands under a glowing marquee that reads: "Pre-Broadway performances begin October 16" and "Purple Rain."

Jenn Ackerman for The New York Times

Prince’s ‘Purple Rain’ Takes the Stage in Minneapolis

There was a flourish of purple at the State Theater for the debut of a new musical adaptation of the performer’s 1984 movie in his hometown in Minnesota.

By Jeff Ernst

A man in a gray T-shirt is walking.

Guglielmo Mangiapane/Reuters

Ari Emanuel Buys TodayTix, Gaining Footing on Broadway and West End

The ticketing company is already a significant player in the two big theater markets of New York and London.

By Michael Paulson

A shot of Broadway theaters including the Golden, the Jacobs, the Schoenfeld and the Booth, their electric signs glowing at night.

Sara Krulwich/The New York Times

Broadway Actors Reach Deal, but Musicians Still Threaten Strike

The Broadway League and Actors’ Equity Association reached a tentative agreement early Saturday. Union members must decide whether to ratify it.

By Michael Paulson

A woman stands in a dimly lit, dark space, wearing a gray T-shirt with her hands on her hips.

Julie Glassberg for The New York Times

Her Play Pulls on the Fashion Industry’s Threads

The French theater maker Caroline Guiela Nguyen brings unheard voices to the stage, like the real and imagined garment workers in her latest work, “Lacrima.”

By Laura Cappelle

A black-and-white photo of Wendell Pierce in sunglasses and a polka-dotted collared shirt.

Routine

How Wendell Pierce Spends His Day Exploring New York City

Mr. Pierce, the popular actor from shows like “The Wire,” said time is precious. He spends his shopping in Harlem, walking through Central Park and staying up all night listening to jazz.

By Tammy LaGorce Visuals by Anthony Prince Leslie

THEATER REVIEWS

Three actors stand onstage, with other cast members standing behind them in the dark. The actors are wearing turn-of-the-20th-century period wear.

Critic’s Pick

‘Ragtime’ Review: Checking the Status of Our American Dream

Joshua Henry, Caissie Levy and Brandon Uranowitz lead the glorious cast of Lear deBessonet’s inspiriting Broadway revival at Lincoln Center Theater.

By Laura Collins-Hughes and Sara Krulwich

Two men in baseball uniforms stand menacingly close on the stage set of a baseball field.

Curtis Brown

‘Bull Durham’ Review: This Musical Version Is a Bunt

Adapted for the stage, the baseball rom-com is now less sexy and sophisticated than the ’80s classic.

By Laura Collins-Hughes

A man in black shirt stands alone onstage.

Sara Krulwich/The New York Times

Critic’s Pick

‘Blue Cowboy’ Review: A Surprising Love Rides Into Town

David Cale’s astonishing one-man show in Brooklyn erects some familiar signposts before swerving into the unexpected.

By Elisabeth Vincentelli

In a production image, a man wearing all black and standing with his arms raised shoulder level, is surrounded by three women in fairy godmother-esque gowns and headpieces.

Hiroko Masuike/The New York Times