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January 24, 2026 
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“Sussudio.” “Di Doo Dah.” “Prisencolinensinainciusol” (a real “if you know, you know” and I did not know). Lindsay Zoladz took a jaunt through some wondrous bits of lyrical nonsense this week in The Amplifier, celebrating “one of popular music’s most powerful and humbling equalizers" as my spell-check looked on, helpless.
Many of us were jealous when Melena Ryzik returned from a journey through Cyndi Lauper’s wardrobe at a sale on the Lower East Side. (The musician had called her current Upper West Side neighborhood “fashion hell” when Amanda Hess caught up with her, but Lauper didn’t make it downtown this time.)
And Ben Sisario reported a very serious piece about the impact of President Trump’s travel restrictions on international artists plotting performances in the U.S. “It’s completely hopeless now to tour in the U.S.,” Tinariwen’s manager told him. “There’s not really any solution to come back again.”
That is not the most uplifting note to end on, so I will instead point you to the beginning of our Grammy week coverage: Garth Cartwright’s profile of Candi Staton, who at 85 is thrilled to be a nominee once again. The twists and turns of the singer’s story are truly dramatic, and worth experiencing as you listen to the track that had a lot of people Googling “song end of Sex and the City.”
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