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Weekly Movie Guide
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It’s been nearly seven years since there was a new “Star Wars” movie released in theaters, and there are lots of ways to do it. “Star Wars: The Mandalorian and Grogu,” a disjointed off-ramp that lacks the scale and ambition of its sisters, fails the task.
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Boots Riley holds nothing back in his audacious, surrealist social satire “I Love Boosters.” The film is a go-for-broke expression of wild imagination and social consciousness that’s impossible not to admire for its wacky, bold vision, with teleporting, high-fashion snobbery and pyramid schemes.
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In Ira Sachs’ 1980s-set drama “The Man I Love,” Rami Malek finds the most well-tailored role since his Oscar-winning portrayal of Freddie Mercury in “Bohemian Rhapsody.”
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The Cannes Film Festival can function like a global water cooler for movies, with prevailing issues and anxieties tending to come to the surface at the event. This year, the topic du jour is artificial intelligence.
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In the past decade, comedies have largely become the stuff of cult: little seen at release but rediscovered on streaming or elsewhere. So here are our picks for the best of the last 10 years.
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John Krasinski returning as Jack Ryan in “Jack Ryan: Ghost War” for Prime Video and “Stranger Things” masterminds the Duffer Brothers producing a Netflix show in which a retirement community teams up to battle monsters are some of the new television, films, music and games headed to a device near you.
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After two weeks trailing “The Devil Wears Prada 2,” the Michael Jackson biopic “Michael” reclaimed the No. 1 spot at the North American box office with $26.1 million in ticket sales, according to studio estimates Sunday.
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