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Namara Smith
Books editor
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I was recently asked to share three of my favorite books of the year so far, as part of our ongoing summer video series chronicling the best in culture. You can watch me respond on our YouTube, or read my answers, edited and condensed, below. Though my selections vary widely in subject matter, they have in common a fascination with the power of language to preserve and define the past. Plus, they’re all wonderful to read.
“Transcription,” by Ben Lerner
One of the most highly praised books of the year so far, Lerner’s novel is narrated by a writer who returns to his old college town to interview his former mentor. His iPhone breaks, and he reconstructs the interview after the fact on the basis of his memories, which gets him into trouble with his mentor’s son. One of the questions this book is asking is: Are we shaped by the past? Or do we create our ancestors in our own image, to serve our own needs? It’s a Ben Lerner novel, so the answer is complicated.
“On Morrison,” by Namwali Serpell
It’s always exhilarating to read a great writer who has dedicated her talent to exploring the work of another great writer. This book does that for the work of Toni Morrison. There’s a hypnotic quality to it, like watching one of those videos of someone taking an engine apart and putting it back together. By the end, you feel as though you understand something about the artistry and care Morrison put into crafting her novels.
“The Hill,” by Harriet Clark
This is one of the best new books I’ve read, not only this year but in some time. It’s the story of a young woman whose mother was involved with a radical left-wing organization in the nineteen-sixties, and has been sentenced to life in prison for her role in a robbery gone wrong. The book isn’t really so much about the mother as it is about the daughter whose life revolves around her weekly visits to her mother in prison, which is at the top of a hill.
Her mother and her grandmother both want her to move farther away from them—to move forward with her life. But all she wants to do is just exactly what she’s been doing. It’s as if she feels that the only way she can understand herself is by understanding these two women, her mother and her grandmother. This is a book about what we owe to one another, and what we owe to the past, and how we can find the strength to begin again, and to create new life in a world that is full of madness and violence. I recommend it to everyone.
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